Merrill Clark
Friday, 15 March 2019
by Eight Strings & a Whistle
Merrill Clark composed Sinfonia Ternion Gestalt for us in late 2009/early 2010. It is a five movement through-composed work, centered around a lamenting non-vocal setting of William Butler Yeats’ The Second Coming. Yeats used Christian imagery in his 1919 poem, evoking post World War I, and Merrill uses his musical take on the poem as a means to
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Peter Jona Korn
Thursday, 14 March 2019
by Eight Strings & a Whistle
Peter Jona Korn’s Aloysia Serenade, Op. 19 is one of the works included on Albert’s Window, our recent release on Ravello Records. We began performing the Serenade long after Korn had died, and our initial research revealed very little other than a website dedicated to his work. The website put Ina in touch with Korn’s wife, Barbara, who was
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Octavio Vazquez
Wednesday, 13 March 2019
by Eight Strings & a Whistle
Many years ago, in fact far longer ago than I care to remember, I had a teaching position at Turtle Bay Music School, a community music school in midtown Manhattan. Although I left Turtle Bay a long time ago, I am still in touch with several students I taught there and one faculty member. That one faculty
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Scott Brickman
Tuesday, 12 March 2019
by Eight Strings & a Whistle
I am very excited to be posting this next featured composer interview with Scott Brickman. Initially, all we knew about him was that Dr. Brickman is the music faculty of the University of Maine at Fort Kent. Mysteriously, he was never in Fort Kent when we performed in the area. But over the last three years,
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Martin Rokeach
Monday, 11 March 2019
by Eight Strings & a Whistle
My initial contact with Martin Rokeach, who lives near San Francisco, began while coaching a chamber work of his for one of my classes at NYU. Not long thereafter, Marty started sending me other pieces he thought would be of interest. I found all of them to be rhythmically lots of fun, alternating between eeriness
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Robert Davidson
Sunday, 10 March 2019
by Eight Strings & a Whistle
Our annual concert at the Tenri Cultural Institute in New York City is coming up on November 22. One of the pieces included on our program will be Conversations by Australian composer and bassist, Robert Davidson. In short, this work is a beautiful and joyous celebration of life. We got to know of Rob in our usual
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John Newell
Saturday, 09 March 2019
by Eight Strings & a Whistle
Every summer I head up to Maine, to a wonderful (and until recently, forgotten) old fishing village called Lubec. Lubec is the eastern most point of the United States and lies across from Campobello Island, where one can find the former summer residence of the Roosevelt family. I still remember the day I arrived there
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Péter Kőszeghy
Friday, 08 March 2019
by Eight Strings & a Whistle
The beauty and the beast of contemporary technology lie in how easily it puts in touch us with the rest of the world, and how easy it makes it for people to find us –– whether we want them to or not! Many years ago I joined LinkedIn. Many people I knew were using it
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Dawn Avery
Thursday, 07 March 2019
by Eight Strings & a Whistle
Dawn Avery is a composer, cellist, vocalist, educator and nominated GRAMMY Award performer. One of our first commissions, Dawn’s Hi’iaka was composed for us in 2003. We recorded it for TULPE (Okenti Records), a CD of music by Dawn and Sarah Davol in 2008. You can visit our Video Room to see and hear how our recording was used to
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Hilary Tann
Wednesday, 06 March 2019
by Eight Strings & a Whistle
During the fall of 2002, an envelope addressed to Matt showed up in our mailbox. It was from Oxford University Press and contained a copy of Hilary Tann’s The Walls of Morlais Castle for oboe, viola and cello. Even though the instrumentation was not quite right, we decided to read through it. The piece was inspired by
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