Many years ago, in fact far longer ago than I care to remember, I had a teaching position at Turtle Bay Music School, a community music school in midtown Manhattan. Although I left Turtle Bay a long time ago, I am still in touch with several students I taught there and one faculty member. That one faculty

I am very excited to be posting this next featured composer interview with Scott Brickman. Initially, all we knew about him was that Dr. Brickman is the music faculty of the University of Maine at Fort Kent. Mysteriously, he was never in Fort Kent when we performed in the area.  But over the last three years,

My initial contact with Martin Rokeach, who lives near San Francisco, began while coaching a chamber work of his for one of my classes at NYU. Not long thereafter, Marty started sending me other pieces he thought would be of interest. I found all of them to be rhythmically lots of fun, alternating between eeriness

Our annual concert at the Tenri Cultural Institute in New York City is coming up on November 22. One of the pieces included on our program will be Conversations by Australian composer and bassist, Robert Davidson. In short, this work is a beautiful and joyous celebration of life. We got to know of Rob in our usual

Every summer I head up to Maine, to a wonderful (and until recently, forgotten) old fishing village called Lubec. Lubec is the eastern most point of the United States and lies across from Campobello Island, where one can find the former summer residence of the Roosevelt family. I still remember the day I arrived there

The beauty and the beast of contemporary technology lie in how easily it puts in touch us with the rest of the world, and how easy it makes it for people to find us –– whether we want them to or not!  Many years ago I joined LinkedIn.  Many people I knew were using it

Dawn Avery is a composer, cellist, vocalist, educator and nominated GRAMMY Award performer. One of our first commissions, Dawn’s Hi’iaka was composed for us in 2003. We recorded it for TULPE (Okenti Records), a CD of music by Dawn and Sarah Davol in 2008. You can visit our Video Room to see and hear how our recording was used to

During the fall of 2002, an envelope addressed to Matt showed up in our mailbox. It was from Oxford University Press and contained a copy of Hilary Tann’s The Walls of Morlais Castle for oboe, viola and cello. Even though the instrumentation was not quite right, we decided to read through it. The piece was inspired by

We are very excited to be performing Tom Flaherty’s Moments of Inertia during our 2011-12 season. The piece was commissioned by Dinosaur Annex for its 26th season and premiered in Boston on May 4, 2003. We found out about it in the same way we find many works that have not been composed specifically for us –by

Commissioned in 2000, Douglas Anderson’s Chamber Symphony No. 3 was officially premiered in Merkin Concert Hall in New York, in May, 2001. During the summer of 2009 we performed it again on tour in Maine and then throughout the northeast the following fall, culminating with a performance at the Tenri Cultural Institute in New York that November. Douglas